LIELA MOSS tickets and 2024 tour dates

Biography

Liela Moss

Sonically spare yet sumptuous in its emotions, elemental power and expansive melodies, My Name Is Safe in Your Mouth is a richly felt, vividly-realised trip into the interior from the Duke Spirit singer. A serene-to-stormy series of deep dream-pop meditations on devotion and selfhood, creativity and parenthood, it treats unknown territory not as something to fear but as a seed-bed of possibility.

As Liela puts it, "I was in my own modest studio, surrounded by deep rural Somerset, and building the album bit by bit over a year with just my producer and partner Toby Butler with whom I co-wrote all the music. We worked to our own schedule and across all seasons. Staring out of the window singing, I would watch the changing natural phenomena around me and sing to the forms outside. My window-view outside was like an umbilical cord; I was receiving little messages from the nature beyond and the songs were growing inside the studio, transmitting back."

That poetic exchange between exteriors and interiors assumes first focus on 'Memories and Faces', an exploration of devotion where Moss likens herself to an animal, a storm and a river over the spacious backing of a reverberant piano; throughout, every arrangement is impeccably, sensitively judged to give Moss's lyrics maximum breathing room. Set to images of storms and mountains, the percussive 'Subequal' maintains the intensity for a moody reverie on emotional rescue and resilience, the warm elasticity of Moss's voice more than a match for its introspective verses and ecstatic, soaring refrain.

Multi-tracked voices and mellifluous synths create cushioning backdrops for 'Into the Flesh', an almost Kate Bush-like lullaby for someone (a child?) or something (a song?) coaxed into being; Moss's emphasis on the word 'softly' speaks quiet volumes about how these songs are nurtured into life. Meanwhile, 'Above You, Around You' meditates on selfhood while all around is in flux, exploring, as Moss puts it, 'What it could be to nurture, change and grow, and not be afraid of the unknown, but make friends with it.'

"I teased melody out from an abstract, day-dreaming space until I can honestly say I felt that I was attempting to sing Mother Nature into existence - making music as a devotional act at times. I enjoyed the simple pleasure of turning the sounds over and over in my mouth and nurturing them all until I felt some new life, some electricity."